50 Best War Movies of All Time, Ranked

The war genre has been prevalent throughout film history, dating back to the silent era and remaining a popular and relevant genre to this day. It speaks to the unfortunately universal nature of war that these stories continue to be told and resonate with viewers and critics alike, given war itself never seems to go away. War movies can cover contemporary conflicts, past wars that are still in living memory for some, and wars that were fought hundreds - or even thousands - of years ago.

Any attempt to rank the greatest war movies of all time naturally needs to cover multiple countries and highlight movies about numerous conflicts. There exist many perspectives on many different wars, and it's safe to assume that for as long as wars are fought, movies that shed light on war's horrors - while sometimes acknowledging the sacrifices individuals have made - remain relevant. Here are some of the best war movies of all time, ranked below from great to greatest.

50 'Hacksaw Ridge' (2016)

Directed by Mel Gibson

Like a great many World War II movies, Hacksaw Ridge is based on a true story, being about a pacifist named Desmond T. Doss who served in the U.S. Army during the notoriously bloody Battle of Okinawa. It’s methodical in showing who Doss was both before and during his time in the war, with lengthy pre-war scenes, including some during basic training, all before things get more hellish once the film moves to Okinawa.

Hacksaw Ridge provides a fairly fresh perspective on World War II, showing it through the eyes of someone who served in said conflict without wanting to fire a gun or kill any enemy combatants. The movie’s still incredibly brutal when it does showcase war, but it’s the journey of Doss that makes Hacksaw Ridge stand out, with Andrew Garfield being excellent in that lead role.

Hacksaw Ridge

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49 'Mrs. Miniver' (1942)

Directed by William Wyler

A Best Picture winner that’s a romance film, a World War II movie, and a family drama, Mrs. Miniver was released right in the middle of the Second World War and addresses it all directly. This makes it fascinating to watch nowadays, because the event being depicted and explored was not a historical one at that point, with the lead-up to – and early years of – the war covered, but (obviously) not its conclusion.

Mrs. Miniver is certainly old-fashioned, and some may feel like it veers close to propaganda at times, but it was intended to provide catharsis and perhaps inspire hope for audiences back during a challenging time in history. It’s also extremely well-acted and undoubtedly moving in parts, overall being a great 1940s war/melodrama film and extra interesting for its historical significance, coming out at the time that it did.

Mrs. Miniver (1942)

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48 'Lone Survivor' (2013)

Directed by Peter Berg

As you might expect from the title, Lone Survivor is a movie all about survival, and… well, the title implies that it’ll also be about some individuals failing to survive, too. It’s about four Navy SEALs serving during the War in Afghanistan, and how they end up fighting for their lives after being ambushed in a remote location by enemy forces while they’re out on a counter-insurgency mission.

It’s a movie that looks at the bond between soldiers in difficult situations and the sacrifices that wartime scenarios often call for. Lone Survivor won’t really surprise many, given its title, the fact the film is based on a true story, and because it does feel a tad formulaic at times, though ultimately, it still packs an emotional punch while being exceptionally tense and, for better or worse, rather immersive.

Lone Survivor

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47 'War and Peace' (1967)

Directed by Sergei Bondarchuk

A mammoth filmmaking achievement in every conceivable way, War and Peace is a gargantuan film that was released in four parts totaling approximately seven hours in length. Not just a war movie, it’s also a romantic drama and a unique historical story that has some non-fictional characters blended with fictional ones, and it’s all presented in a strikingly original way that also makes War and Peacean epic arthouse film.

It's a faithful adaptation of the legendarily long novel of the same name by Leo Tolstoy, and in terms of budget, cast size, and runtime, it can claim to be one of the biggest movies ever made. Watching War and Peace is certainly a commitment, but patient viewers in for the long haul will be rewarded immensely by soaking up all this film has to offer.

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46 'Gettysburg' (1993)

Directed by Ronald F. Maxwell

War movies don’t get a whole lot bigger in scope or runtime than Gettysburg, which can claim to be one of the longest American movies ever made. It earns its runtime by having close attention to detail in depicting the Battle of Gettysburg during the American Civil War, which played out over three days and ended up being a decisive event in bringing about the eventual end of the conflict.

Focused more on showing the events in as broad a manner as possible, Gettysburg is less about telling a character-focused story and more about being an experience/recreation. On that front, it’s hugely successful and quite awe-inspiring. And, yes, the runtime that goes well over four hours may be challenging, but given it’s sort of the length of three relatively short movies in one – and it covers a space of three days – it’s pretty easy to watch it in thirds for anyone otherwise intimidated by the length.

Gettysburg

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45 'Play Dirty' (1969)

Directed by André de Toth

It's quite astounding how many movies Michael Caine has appeared in throughout a career that’s lasted approximately six decades. As both a leading man and a supporting player, he’s always great to watch, but his prolific filmography means there are plenty of titles that have slipped under the radar of many. One of those would have to be 1969’s Play Dirty, which is an exceptionally underrated war film.

The setting here is North Africa, and the war covered is World War II, with the narrative focusing on British commandos disguising themselves and going behind enemy lines for a dangerous mission that involves destroying an oil depot. Play Dirty manages to be engaging and sometimes even entertaining while also feeling bleak and effectively anti-war, hitting a unique tone that proves hard to shake once the film ends; it’s certainly one that’s likely to stick with you.

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44 'Mister Roberts' (1955)

Directed by John Ford and Mervyn LeRoy

John Ford was perhaps the go-to American director when it came to the Western genre, but by no means were all his films Westerns; indeed, many of his great ones belonged to different genres. Take Mister Roberts, for example, which is a World War II movie focused on a group of people working in the Navy, telling a sometimes funny and sometimes serious story about how tedious such a way of life could surprisingly be.

As a dramedy, Mister Roberts succeeds in being about finding things to do – and moments of levity – within otherwise trying circumstances, which is something plenty of other war dramedies have done in this film’s wake. It feels influential to something like M*A*S*H or arguably even Jarhead, and has an absolutely dynamite cast of stars that includes Henry Fonda, James Cagney, Jack Lemmon, and William Powell.

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43 'Richard III' (1995)

Directed by Richard Loncraine

Standing as both a unique take on Shakespeare and a rather surprising war movie all at once, Richard III is supremely underrated and has held up very well in the nearly 30 years since it came out. It stars Ian McKellen in the titular role, and he’s arguably never been better, making every second of his screen time count while playing a dangerous man who’ll stop at nothing – and perhaps even murder everyone – to achieve his goal of obtaining the British throne.

Richard III is a classic tragedy through and through, but feels fresh thanks to the presentation (McKellen getting his Fleabag on by doing many a monologue right into the camera, for example) and the setting, which takes things to England in the 1930s, rather than the play’s original 1400s setting. It uses this to comment on various aspects of World War II, particularly the lead-up to it, and manages to condemn Fascism and war in general while also being an entertaining and extremely well-acted reinterpretation of a Shakespeare classic.

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42 'Underground' (1995)

Directed by Emir Kusturica

Where to even begin when describing Underground? It’s a movie that runs for almost three hours and spans about half a century, in turn covering three different wars. The setting is the former country of Yugoslavia, with the plot mostly revolving around two friends and a woman who gets between them, following how the trio navigate first World War II, then the Cold War, and then, finally, the 1990s Yugoslavian Civil War.

Underground shows the trials and tribulations of living not just through one war, but several, and does so in a way that can feel surreal at times, being hilarious and silly at other points, and then suddenly become tragic and upsetting at the drop of a hat. It’s one of the best movies of the 1990s, and is spectacularly shot, very well-acted, and fantastically unpredictable, as well as being an eye-opening look at a former country and how it was forever rocked by the tumultuous 20th century.

Underground (1995)

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41 'Red Angel' (1966)

Directed by Yasuzō Masumura

Though Red Angel does deal with romance quite heavily in parts, it’s hard to call it a full-blown romantic film, at least in the traditional sense, because of just how grim it is. It follows a Japanese nurse working in China during the Sino-Japanese war, finding connections with other troubled individuals – sometimes physically and/or romantically – all the while terrible carnage, bloodshed, and acts of brutality occur around her on a daily basis.

It's quite shocking just how Red Angel gets when it comes to violence for a film of its age, and given it’s rather soul-shattering to view nowadays, one can only imagine how audiences would’ve reacted in 1966. It’s a tough and brutal movie filled with constant troubling images and sequences of tragedy, but anti-war movies need that sometimes, to drive home the message. And no one could accuse Red Angel of not delivering its anti-war message effectively.

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40 'Paisan' (1946)

Directed by Roberto Rossellini

Standing as one film within the Italian neorealism movement, Paisan is fascinating from a historical perspective, and as a very immediate World War II movie. After all, it was made just one year on from the conflict in question ending, and it depicts events that took place between 1943 and 1944, all concerning the Allied invasion of Italy as part of the European theater of the war.

Paisan is also structured in an interesting way, comprising half a dozen short stories that all add up to one movie just over two hours long. Like a good many films with this structure, certain segments leave more of an impact than others, but Paisan does shed light on what was then a relatively recent event and feels authentic in a way that not many war movies are able to achieve.

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39 'The Burmese Harp' (1956)

Directed by Kon Ichikawa

A movie that’s sadly partially lost, what remains of The Burmese Harp is still remarkably compelling (and it helps that the intact version remains 116 minutes long, while the original cut was a little over 140). It largely takes place in the immediate aftermath of World War II, following a Japanese soldier getting separated from his squad, and deciding to disguise himself as a monk to avoid getting discovered and/or imprisoned.

Much of the film focuses on this solitary soldier, but other scenes are devoted to the other members of his squad and their desperate search to find him. The Burmese Harp unfolds at a slow but steady pace, and while those looking for numerous combat scenes might not find this style of war movie to their liking, those who want a more quiet and understated drama – focused on character – playing out against the backdrop of war might well find a lot to like here.

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38 '20 Days in Mariupol' (2023)

Directed by Mstyslav Chernov

Winning an Oscar for Best Documentary Feature Film at the 2024 Academy Awards, 20 Days in Mariupol sheds light on a very recent conflict that, as of the time of the film’s release, was still ongoing. It centers on a journalist’s experience with covering the early days of Russia’s 2022 invasion of Ukraine, an event that kicked off an entire war that’s still ongoing as of early 2024.

20 Days in Mariupol is uncompromising in what it’s willing to show, but the unrelenting approach works to drive home the senselessness of the conflict being covered, and the modern-day horrors such an invasion has caused the people of Mariupol. Knowing that it’s just centered on one part of Ukraine makes the film’s content all the more troubling, as there’s only so much that can be shown, and indeed, the death and destruction caused by this new war has spread far beyond just one city.

20 Days in Mariupol

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37 'Hamburger Hill' (1987)

Directed by John Irvin

While Hamburger Hill wasn’t the most well-known Vietnam War movie released during 1987, it is a great – and underrated – one, and did still receive a high level of critical acclaim. Its approach to depicting the war in question is blunt and brutal, following numerous soldiers fighting in one particularly harrowing battle, all in the service of claiming a small piece of land from the enemy.

Showing combat in a visceral and bloody way, Hamburger Hill ultimately emerges as a strongly anti-war film, as even though there is technically a good deal of “action,” it’s certainly not fun or cathartic to watch. It’s a movie that aims to be as gritty and realistic as non-documentary war films can possibly get, and to that effect, it functions exceptionally well.

Hamburger Hill

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36 'Devils on the Doorstep' (2000)

Directed by Jiang Wen

Devils on the Doorstep stands out from the crowd when it comes to war movies, owing to the fact that it has a unique approach to telling a story about prisoners of war, and because it’s both darkly funny and extremely heavy-going. There is a farcical element to the story of townspeople in China asked to hold onto – for unknown reasons – two Japanese soldiers who’ve been taken prisoner, but things take a much darker turn in the final act.

The tonal switch-ups never feel jarring in Devils on the Doorstep, and it’s quite miraculous that it all comes together from a writing perspective, all the while leaving the impact it does. It’s one of the most underrated war movies released in this century so far, and though it can be hard to find as a result, it’s well worth digging out for anyone after something different.

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35 'Waltz with Bashir' (2008)

Directed by Ari Folman

While Waltz with Bashir could be called a great war documentary, it also feels like a little more than that, thanks to its presentation and surreal use of animation. Director Ari Folman makes himself the subject, with the film set up as him trying to recollect his involvement in a particularly grim event that took place as part of the 1982 Lebanon war, at which time Folman was a young soldier.

Waltz with Bashir looks at a conflict that is still going to this day, feeling like an anti-war movie through and through, though troublingly looking at certain events from the perspective of someone who was on the side of the perpetrators. Some may be turned off the film for this reason, but others may argue Folman is speaking about what he knows, and what he can speak about. The film does also end in a particularly devastating way that drives home the cost of this particular war, and makes clear who its true victims were in a harrowing and hard-to-shake final sequence that incorporates real-life, non-animated archival footage to staggering effect.

Waltz with Bashir

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34 'Quo Vadis, Aida?' (2020)

Directed by Jasmila Žbanić

Standing as one of the best movies of the 2020s so far, Quo Vadis, Aida? is a dramatized retelling of a particularly troubling event that happened within the context of the Bosnian War, which occurred from 1992 to 1995. It centers on a crisis that involved thousands of people seeking shelter at a UN camp after their town was taken over, with the protagonist being a UN translator caught up in it all, both because of her profession and because of her family members being in danger.

It's a slow build of a movie, having constant tension and a sinking feeling that gets more despairing as Quo Vadis, Aida? builds to a powerful conclusion. It’s one of the bleakest and most harrowing war films in recent memory, proving all the more effective because of the way it highlights the lives of non-combatants, and how everyone can be placed in danger because of a conflict; not just soldiers.

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33 'The Human Condition' (1959-1961)

Directed by Masaki Kobayashi

Masaki Kobayashi was a Japanese filmmaker known for making dark, bold, and character-focused movies, with The Human Condition trilogy being his most ambitious and epic undertaking as a director. With three parts released between 1959 and 1961, The Human Condition, as a whole, emerges as a single story that plays out over the course of almost 10 hours, making it rank among the longest war movies of all time.

The story of The Human Condition focuses on a single man named Kaji, who goes from being a conscientious objector to someone who’s forced to become further involved in World War II, with his experiences changing his personality and outlook on life before the audience’s very eyes. It does a great job at presenting the scale of World War II in certain sequences, but it’s most effective in showing the personal toll of war on one young man, indeed exploring the titular human condition in great detail as a result.

The Human Condition I: No Greater Love (1959)

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32 'The Zone of Interest' (2023)

Directed by Jonathan Glazer

Though it wasn’t the first movie to explore the banality of evil within the context of war, few films have done such an exploration quite as effectively as The Zone of Interest (and, arguably, no non-documentaries about such a thing have been as powerful). It’s a film about the commandant of Auschwitz and his family living their lives right next to Nazi Germany’s largest concentration camp while trying to ignore the horrors of what was happening nearby.

The Zone of Interest aims to put its viewers in the shoes of some very callous people, nevertheless showing with stomach-churning intensity how human beings are capable of ignoring things that you’d think would bother or upset them. It explores evil in a non-traditional and – some might say – un-cinematic way, but the approach is sure to leave a mark, and results in a film that’s hard to forget, no matter how much some viewers may want to forget it once it’s over.

The Zone of Interest

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31 'The Best Years of Our Lives' (1946)

Directed by William Wyler

Perhaps more of a drama film than a traditional war movie, The Best Years of Our Lives is nonetheless compelling and groundbreaking for its time. It was released the year after World War II concluded, and throughout its nearly three-hour runtime, it covers the lives of numerous U.S. veterans returning to life at home after fighting overseas, and the struggles that come with such a period of readjustment.

Its premise means it's a movie about war that doesn't feature any combat scenes, centering on the process of recovering from a traumatic event and an exploration of war's lingering physical and psychological effects for those who survive it. It was likely therapeutic for audiences back in the 1940s and the film still stands up today as a compelling historical document and character-focused post-war drama.

The Best Years of Our Lives

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